Skip Hadden: Remembering Tony Williams

Several years later I had the opportunity to work at the same club as the Tony Williams Lifetime when they were touring and playing the music that was on the “The OLD Bum’s Rush,” recording. He already had the big yellow Gretsch kit by this time with the 24” bass drum and multiple toms. Each night over the course of the week the band gelled better and on the final night it was truly amazing. The entire night was smoking; one tune would have been worth waiting the week to hear, let alone the whole night.

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Paul Wertico: The Sound Painter

In the international press, Paul has been called “an inspired madman,” and “a restless innovator.” The same could be said of painter Jackson Pollock. There is a direct rhythmic connection between what Paul composes on the drums and what Pollock visually composed on canvas. Each deliberately using an organized rhythmic pattern while communicating their inconsistencies, anomalies and imperfections. Both speaking different languages of which only they can understand and interpret. Critics may never be able to fully describe the true motivations and complete originality of Paul Wertico and Jackson Pollock since both were creating in the moment. 

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You Don't Know Jack: Chapter 4

As a young man, Jack Scarangella became a lifelong New York Yankees fan - Soon becoming a permanent fixture at Yankee Stadium. Most of the players and management already knew Jack by name. Ironically, much earlier at the age of nine, a kind police officer let him sneak in to see Buddy Rich in concert. It wasn’t very long before Yankees owner George Steinbrenner gave Jack permission to attend all of their home games for free. On numerous occasions, he found himself in the owner’s box, dugout, or seated next to the legendary Yankee broadcasters Phil Rizzuto, and Bill White. Jack has said that it was Mr. Steinbrenner who changed his life by allowing him full access to Yankee Stadium as his personal guest.

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Elton John, Nigel Olsson - The Farewell Yellow Brick Road Tour

Drummer Nigel Olsson has been playing and recording with Elton John since 1970. He has performed in concert with Elton over 2,500 times. Nigel, the consummate showman, is always smiling. On stage, he is impeccably dressed with a shirt, tie and, trademark white gloves. Joining with Ray Cooper and John Mahon, they were a complete rhythmic force unlike any other. With a long and impressive resume… Nigel has played with The Spencer Davis Group, Uriah Heep, and as a first-call studio drummer. His credentials also include time with Rod Stewart, Linda Ronstadt, and Kiki Dee.

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