I was always totally enthralled by Tony Williams’ playing. Ever since I was first aware listening to him on Herbie Hancock's "Maiden Voyage" I was a total fan... Absolutely stunned by his depth, feel, and creativity. Also, he seemed completely fearless and willing to just completely throw it out there when the spirit hit him
Read more‘MIKE DROP’ REVIEW Drummer Mike Clark releases another brilliant CD
Legendary drummer Mike Clark’s latest CD titled ‘MIKE DROP’ is another powerful example of just how incredible a player he is. Featuring Michael Zilber on saxophones, Matt Clark on piano, with Peter Barshay on bass…It was recorded at Oakland, California’s 25th Street Studio where the sound and clarity is amazing… According to Mike, most of the tunes were first takes - just the way he likes it.
Read moreRemembering Tony Williams - Rick Shlosser
Tony's band, Lifetime, was playing at Ungano's, so I went to check them out. I had a seat about six feet from Tony's left side, and not only was the band incredibly loud in this little hard-surfaced bar, but I walked away thinking Tony was playing a different instrument than I was. I don't think I learned or understood one thing he was playing... Just simply ferocious and amazing playing!
Read moreJerry Allison, drummer for Buddy Holly and the Crickets, passes
Jerry “JI” Allison, drummer for Buddy Holly and the Crickets and co-writer on some of their biggest hits, has died. He was 82.
Read moreImpressions of Art Blakey: A Conversation with Carl Allen - Part I
I remember hanging out with Art on his birthday at one of the famed clubs here in New York called Sweet Basils. I said, ‘Art, Happy Birthday! So how old are you now?’ Art said, ‘I’m 65 years old.’ I said, ‘oh man, that’s beautiful.’ So the following year I’m hanging out with Art again on his birthday at Sweet Basils and of course I said, ‘Art, Happy Birthday! So how old are you now?’ Art replied, ‘I’m 65 years old.’ I said, ‘hmm, that’s interesting math.’ So later I call Freddie Hubbard at home, and I said, ‘Hey listen man, I was just hanging with Bu, it’s his birthday and he says he’s 65’ Freddie responded, ‘Man, he says 65? He was 65 when I was in the band.’ So, who really knows how old Art really was.
Read moreMike Clark: Words of Wisdom - Chapter 28
”Fortune is so fleeting yet many of us get caught up in wanting it. I see people doing something and think, I wish I was on that gig or record date... Then all of a sudden I get a call from someone I met twenty years ago asking me to do something really cool and I think - Things ain't so bad.”
Read moreBilly Arnold: Remembering Tony Williams
"I first heard Tony Williams when I was in the army band. That was in 1963 and Tony had just joined Miles Davis. He was only seventeen and I couldn't believe how he expressed himself so differently than other drummers!
Read moreMike Clark: Remembering Tony Williams
“Like many of us, I was pondering Tony Williams' effect on the music world.
I remember how we all sounded before Tony and after. Very Different... Most of us were trying to sound like Max Roach, or Philly Joe Jones but then 'Four and More' came out. Within a year on the West Coast if you wanted to work with guys like Bobby Hutcherson or Woody Shaw - you had to have some sort of answer for this 'new and modern' type of playing. Tony turned the jazz drumming world upside down.
Read morePaul Brown: Give it up for Mitch Mitchell !
Roger recalls being approached by, ex Animals bassist, Chas Chandler asking " Would you guys mind giving up your middle set tonight? " for a new act. After clearing it with the club`s manager and confirmation that they would still be paid in full for the night, Roger and the band also agreed to loan their backline and drum kit. Enter the recently formed Jimi Hendrix Experience who, after recording their first single `Hey Joe` only two days prior, were about to perform their British debut showcase gig!
Read morePete Cater: Remembering Tony Williams
“Tony was, in my opinion, one of the few master improvisers of our instrument. He added significantly to the vocabulary of jazz drumming and though his earliest recorded output is now over sixty years old, it nonetheless sounds as ground breaking and innovative as if recorded yesterday."
Read moreMike Clark: Words of Wisdom - Chapter 27
“Some shuffles might be too nasty for some bands or players so you have to take some of the grease or looseness off of it - or change how it moves. Same with funk beats, some are too funky and cats don't get it. Am I the only one that has experienced this? It's like a 1958 Chevy with a big engine and glass pack muffler. It shook when you went through the gears. It felt like the body was fitting on the frame real loose. Some cats would drive it and think something was wrong.”
Read moreRIP Taylor Hawkins of Foo Fighters
Taylor Hawkins, to me, was the ultimate drum nerd. He had so much fun playing the drums and talking about drums and drummers, and was a fan of the other great rock drummers: his peers. He plays and nails so many of the iconic rock drum parts in this interview video. At 41:00 he plays the drum part to the Toto Song "Rosanna" that the late Jeff Porcaro created, which is not an easy part to play with the finesse that Porcaro did. Taylor nails it in this video. Especially
Read moreLen Companaro - A Successful Drummer
Len may not be a name that is well known in the drumming world but he is a guy that has played places that many of us dream about and worked with some of the greatest musicians in the world. If the definition of being successful means that you are blessed to do something you love, then I believe that Len has lead a very successful life.
Read moreHoward Grimes passes - backbone drummer of Memphis Soul
As a drummer for Hi Records' house band the Hi Rhythm Section in the 1970s, Grimes worked closely with artists including Al Green, Ann Peebles and Otis Clay, among others. His beats on songs including Green's "Let's Stay Together" and Peebles' "I Can't Stand the Rain" served as a crucial foundation for the burgeoning Memphis soul sound of the era.
Read moreGreg Caputo: Remembering Tony Williams
Tony developed under the tutelage of master drummer/teacher, Alan Dawson. Miles Davis opened more avenues for development by stating, “You can’t make any mistakes in my band.” This encouraged Tony and gave him a clear musical canvas to create and develop his improvisational skills.
Read moreSandy Nelson dies at 83 - "Let There Be Drums!"
Sandy Nelson, a drummer whose flashy style and propulsive rhythms helped elevate the importance of the instrument in early rock and roll, died Feb. 14, 2022, in Boulder City, Nev. The cause of death was not reported, however Nelson had been in hospice for some time. He was 83.
Read moreTerry Silverlight Presents New Music Video Album - 'In My Own Silver Light'
Previously, Terry has made several solo albums featuring himself in various musical styles and settings... Including ensembles, duets, songwriter collaborations with guest instrumentalists and vocalists. He's had the opportunity to perform and record with some of the world's most outstanding musicians... Including, Vic Juris - Eric Kloss, Phil Woods - Barry Miles, The Manhattan Jazz Orchestra - Billy Ocean - George Benson -Laura Nyro - Natalie Merchant - Freddie Jackson and Jeffrey Osborne...To name a few.
Read moreTim Smith: Remembering Tony Williams
Tony performed with such energy you could feel it propel the rest of the band. Miles himself said that Tony was “the center that the group's sound revolved around.”
Read moreAl Dimeola In Concert Featuring Richie Morales Review
Less was definitely more as Al and Richie burned through sixteen tunes with only a brief intermission. Both complimented each other with amazing displays of virtuosity throughout the show. On numerous occasions Al would smile at Richie giving him a nod of approval at some complex patterns they had just played. Sometimes it seemed to border on telepathy when they each unleashed something totally unexpected, yet it was somehow perfectly synchronized.
Read moreRay LeVier: Remembering Tony Williams
I only got to see Tony play on two occasions. Once at The Blue Note and again at Birdland. Both nights, I received the drum lesson of my life and learned firsthand about control, finesse, and confidence. He played that massive canary yellow drum kit with the three floor toms and used every drum melodically and musically. His flams and single stroke rolls knocked me out on the spot. Looking back now, I wish I would’ve checked him out live more, but am grateful for the two times I did.
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