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The first vintage & Custom Drum Magazine, since 1988
I wonder if you can review the attached pictures. I will be sending a second email with more. I have a 26" Bass, 13, 14, and 16 toms and snare. I am trying to confirm the vintage and, in the case of the 13" small tom, determine if it is really a Radio King drum.
Read moreI am ashamed to admit it, but even as an amateur history buff, I wasn’t familiar with Farris. That all changed a few years ago with the purchase of an early 1960’s Rogers drum set that Farris owned and played. I will attempt to tell his story now as best as I can.
Read moreAlmost all of the stencil drums in the 60’s & 70’s came out of five factories in Japan. Today we can tell most of the time which factory made what, because each factory made almost all of their own distinct parts. - Marc Patch
Read moreMostly about cleaning Paiste cymbals but applies to Zildjian, Sabian, Meinl, B8 and B20 cymbals as well.
Read more…album titled Sing and Swing with Buddy Rich, recorded in 1955. This album is unique because Buddy is not the drummer (except for one out of the 5 songs,) rather, he sings on the full album. Buddy had not been featured as the lead vocalist in this caliber in the past. The reason he drums on one song is because there are no vocals.
Read moreIn trying to determine whether the Buescher Company also did drums among their band instruments, I came across your post/article on a Buescher drum, confirming for me that they did in fact make (or at least distribute) drums as well.
Read moreAt that time, the Allman Brothers Band was the archetype. We decided to try the double drum sets, which worked out really well. To play double sets requires a lot of intuition and acute listening, as well as a solid assessment of each player’s strengths and weaknesses. I had studied snare drum with a noted classical percussionist, so the double stroke press rolls and the fancy things were mine. Bob had a very organic approach, so I usually had him lay down the floor and I danced around it, but always trying to keep it unified. There is some forethought involved. You have to pre-decide who fills where and when so that you don’t over crowd the aural bandwidth. When done tastefully, having two drummers allows for great shading and dynamics and also looks great on stage.
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