Here’s a set of exercises for those of us who want to develop faster bass drum technique but don't use a double pedal. I find this type of graduated arrangement yields greater freedom when applying it to music.
Read moreFrom the Editor
More ramblings from the guy who runs this joint.
Read moreWFL 7 X 14” Paramount snare drum Circa 1939
This 1939 WFL Paramount snare was produced in the year that Germany invaded Poland, and just over 2 years later, the U.S. would join the war. Bill Ludwig, Sr. had lost his name, much of his savings, and yet survived both the transition and WWII. In the end, his company thrived, and he regained his name. There is so much to be admired about Bill Sr’s. drive, fortitude, and relentlessness. This 1939 WFL Paramount snare is one representation of his work during this challenging time and embodies all those who appreciated its sound and construction over 8 decades.
Read more1938-40 LUDWIG & LUDWIG 8 x 14 WMP/CHROME SUPER-LUDWIG (PROTOTYPE OR SPECIAL ORDER?)
Looking at the outside photo one would think that this is a normal Ludwig 8 x 14 Super-Ludwig from the late 1930s..well, there is more to it that makes this drum a tad more quirky. The drum came to me 100% original and in excellent condition, no cleaning or polishing was necessary. The WMP is in excellent condition with virtually no yellowing at all. The white enamel badge is very clean with a tight, untouched grommet. Now for the quirkiness; looking at the interior photo you can see that the shell is aluminum with top and bottom maple 2” re-wrings. This leads me to the question was this a prototype snare or a special order snare?
Read more3rd & 4th Drum Co. 6x14 walnut/ash/walnut snare
These two snares are made out of the same constructed 6-ply shell - walnut (1) / ash (4) / walnut (1). Walnut is known for its classic and attractive characteristics for tone and visual aesthetic. Sonically, walnut’s tonal colors can be characterized as having a big and dark low end to it. On the other side of the coin, ash is known for its warmer highs and mids compared to maple. Having ash as the core and walnut as your outer plies allow you to obtain a lot of low end in the higher tuning range while not sounding “choked”. These drums will also have a deep and darker low end than maple. Both snares have a slight round over on the outer edge with a 45-degree inner cut. This allows the snare to give you both body and lively overtones.
Don't-cha-wanna-dance?
No, actually, I don't. This came into focus for me some years ago. It was one of those wonderful, serendipitous, off-the-cuff remarks that ended up being a defining moment. I was at the wedding of a close relative and one of the bridesmaids came over to me and tried to get me to dance. I politely declined (I’m even less into dancing than I am into singing). Her comeback was rather convincing: “When you hear the music, don’t you just want to get up and dance?” My response was even better: “No, I want to sit down and hit things!”
Read moreObservations of a Recovering Drum Collector
Our favorite picture of John, founder of Not So Modern Drummer and #1 DrumScratcher
I guess the main difference between collecting then as opposed to collecting now is getting to know the person who’s selling the drums as much as knowing about the drums themselves. Some of my best friends, people I met through collecting and custom drum building and engraving, came from a vintage drum transaction that took us a couple of weeks to accomplish due to the delays of mail, photography, and the phone.
Read moreBruce Klauber on "The Poetic Thoughts and Verses of Louis Bellson"
Things affected him, and if he ever drew attention to himself, it was done peacefully and gently. Louie called this one "A Man and His Drums."
"I quietly, with Peace and Love, roar like the thunder in the sky and sound the heartbeat of life."
Read moreThomas De Sena: Remembering Tony Williams
On the day of the clinic I was looking out the front window of Creative watching as a Ford Econoline van pulled into the parking lot… Through the rear windows I could see Tony, his bass player, and a set of Canary Yellow Gretsch drums thrown in the back with No Cases !! OMG, I was star-struck - but it was kind of amusing because Tony’s drums were always bigger than life to me – And there they were just lying in the back of a van.
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