Another new chapter in our ongoing series of conversations, quotes, commentary, and updates with jazz/funk drumming legend Mike Clark… Mike’s keen observations provide numerous insights into ‘All Things Music’. -- Mike always just tells it like it is.
Read moreWin This Drum!
See, play, and win the new Famous Drum Company “Celebrity” single ply snare drum at the Chicago Drum Show.
Read moreLudwig Standard S-320 Kit in Blue Strata
No drummer can deny that Made in Japan drums had some of the most eye-catching wraps on the market. This is why Ludwig created 15 unique wraps that had that M.I.J. mojo—most notably, the strata wraps.
Read moreShawn Meehan: Remembering Tony Williams
By the time the Quintet had taken the stage, most of the crowd had left, not willing to endure the weather. I stood amongst a small group of die hards at the front of the stage. It was a torrential downpour at this point. Herbie Hancock had drops of water dripping from his sleeves and onto the piano. I seem to remember it was during Pinnochio when Tony started dropping bombs on the bass drum that the crackle through the PA became more pronounced with each bomb. Eventually the PA went completely out! The band kept on cooking as though nothing had happened. We were listening to them acoustically.
Read moreDid we really need two drummers?
At that time, the Allman Brothers Band was the archetype. We decided to try the double drum sets, which worked out really well. To play double sets requires a lot of intuition and acute listening, as well as a solid assessment of each player’s strengths and weaknesses. I had studied snare drum with a noted classical percussionist, so the double stroke press rolls and the fancy things were mine. Bob had a very organic approach, so I usually had him lay down the floor and I danced around it, but always trying to keep it unified. There is some forethought involved. You have to pre-decide who fills where and when so that you don’t over crowd the aural bandwidth. When done tastefully, having two drummers allows for great shading and dynamics and also looks great on stage.
Read more1936-39 LUDWIG 6.5 x 14 “BUTTERSCOTCH PEARL” (uncatalogued) SUPER-LUDWIG MODEL
This seems to be an uncatalogued finish as it is nowhere to be found -- that I know of -- in any Ludwig literature. I have seen 1 or 2 other Ludwig Butterscotch Pearl snares and I also own a Duplex Spirit of St. Louis in this finish so I personally know that this finish exists. So my best guess is that this is an uncatalogued or special order finish. As always I welcome any other information that may be out there regarding this finish.
Read more1925 Leedy 4 X 14” Black NOB Multi-Model Marvel snare drum
This Multi-Model Marvel is truly a lovely drum and extremely well-preserved. The Marvel strainer works quite nicely and smoothly, applying even tension across all snares. So why do I think it wasn’t successful? First off, the bridge mechanism extends about 1 3/8” from the bottom. For snare stands of the time, this overhang could be problematic.
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