Drummer community & drum marketplace
The first vintage & Custom Drum Magazine, since 1988
After collecting many 1920’s Ludwig brass snare drums, the obvious next step was to go in search of some 1930’s models. In 2015, I came across a 1935 Silver Anniversary standard 6.5 x 14 snare drum at a vintage drum store in Toronto. What a beauty!
Read moreHappy New Year! Tootin’ my own horn and letters to the editor.
Read moreI decided to open the trunk to have a look inside and saw a bunch of very lightweight rusted hardware, some old decorations from a party, some confetti and a few other belongings not related to drums. What did catch my eye was the top of a drum head sitting in the case. As I slowly lifted the drum out of the case, I felt a little like Indiana Jones on one of his crusades and I nearly fainted when the drum revealed itself as a beautiful very white WMP twin strainer snare drum in 100% mint original condition.
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A newer study suggests that drummers have fewer but thicker fibres in the main connecting track between the two halves of the brain. And it seems the motor areas of the brain are organized more efficiently. Playing four-way coordination at the drum set requires the use of both sides of the brain simultaneously. It’s thought this type of activity improves IQ levels. It also improves memory, focus, and hand-eye coordination.
Read moreThe set I am featuring this month is a 1970s Classic four piece 22,13,16 set with three ply shells. This beautiful kit is wrapped in Sky Blue Pearl. The blue color is still vibrant in the near perfect wrap
Read moreMy teaching studio was directly across the hall from his, where he was conducting group classes. I could hear him in there sounding like he sounded on all those Miles and Herbie recordings. Cool stuff. Because we were right there close, we started hanging out after our teaching sessions and basically just bullshitting about everything.
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My editorial this month is about two episodes of Matt Crouse’s WorkingDrummer.Net Podcast that I was involved with. Enjoy.
Read moreDeveloping the skill to play accents helps to strengthen your hands in order to build technique. Moreover, accents are an essential part of playing breaks and solos. Whether it’s rock, jazz, latin, marching or classical music, accents have an important role to play. The following etude is named , ACCENTUATION. It’s from my book, DUET YOURSELF BOOK TWO. The rhythmic makeup couldn’t be simpler since the etude is all with eighth notes. At first glance it’s deceptively easy, but working up the etude to speed without making mistakes might prove a little tricky for some readers.
Read moreChristmas Special - Moeller Sticks - $60 including shipping
Read moreI have a habit of ranting against the rudiments. Of course I'm referring to the classic rudiments of military origin. The point I usually try to press home is that many of the ‘standard’ rudiments are rather hard to apply to the drum set and others rarely fit modern music.
Read moreThese three drums were ordered at the 2007 Chicago Vintage Drum Show. Master drum craftsman Johnny Craviotto (Craviotto Drums) teamed up with master drum craftsman Adrian Kirchler (AK Drums) to create the Craviotto Drums/AK Drums Diamond Series snare drums.
Read moreIn the 1970s, very few of these drums were made with brass shells. The Cut Badge snare has two distinct features. One is the B or BR stamped near the muffler. The other is the modified blue and olive badge.
Read moreI’m calling this my “Cab Calloway” Set. In my opinion, this set is the epitome of vintage Jazz sophistication and elegance. I have been working on it for a year +.
Read moreThis is regarding the drum set in the 2 of the late Itsuzo Sumy's photos from the exhibition of his work in the Town of Chester in the S.E Adirondacks of New York State. From Town of Chester historian, Donna Lagoy: The man playing them in the photo is William Walkup. His son, Bill bought the drums 2nd hand from an unknown person.
Read moreLike many of you, I've come upon a good number of orphan drums through the years of collecting, buying and playing. This kit consists of orphan drums that were either included with kits purchased or just purchased to add on. But some with the hopes to piece an entire kit together (which is still possible!). But what is special about these drums is that they are all very rare and hard to find sparkling pearl wraps in pristine condition by the Great American Drum Companies of yesteryear.
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I'm a stickler for clean technique and a clean sound. I like to hear every stroke, every tap, every nuance, so I spend a lot of time on articulation to enhance my control and to refine my sound. And then someone like Stanton Moore comes along and raves about something he calls “the slop”. You can hear it in his playing, especially in his second line shuffle, where the strokes seem to just slosh around joyously. And boy does it cook!
Read moreAll my items I have listed on DrumSellers.com have been repriced with “or best offer”. This includes all snare drums, drum sets, cymbals of mine and of those consigned to me by Steve Johnson, Tom Boyle, John Dittrich, and Jason Cooper. Well over 300 cymbals, 50 snare drums and several drum sets. This
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In the future, Facebook will become obsolete and be replaced by a new internet site or other technology yet to be discovered. Don’t think so? Have you looked at your MySpace page lately? The information and knowledge you pass on to other drummers may be lost to the ages one day.
Read moreThe term beater is usually applied to old cars that are beat up and butt ugly but are reliable and run well enough to get you to work and back. I’ve had several beater kits over the years that fit that description. You know - that beat up old kit that you take to that outside festival gig in case it rains, or to the “jam night” gigs instead of taking your nice kit. You don’t care if it gets rained on, or if beer gets spilled on it, if someone else plays it, or if it gets scratched up – it’s already scratched up.
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cartoon by Joel Rothman
Joel explains how the swing ride pattern is played differently at different tempos.
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